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In an unexpected turn of events, Slaughterhouse, the distinguished rap collective celebrated for their lyrical prowess and influential presence in the hip-hop landscape, recently took a respite from their Australian tour preparations to engage in a conversation that delves beyond the beats and rhymes of their music. Sneaker Freaker, in an exclusive interview, sat down with Royce da 5’ 9”, Joe Budden, Crooked I, and Joell Ortiz. The dialogue not only explored their passion for sneakers but also delved into the ever-evolving rap panorama and broader global issues that extend beyond the confines of a recording studio.

Sneakers, Hip-Hop, and the Australian Odyssey

Slaughterhouse, an amalgamation of artists from diverse corners of the United States, brought their coast-to-coast pedigree to the forefront during the interview. As they geared up for their Australian tour, the artists expressed their anticipation of connecting with the spirited Australian audience. Royce da 5’ 9” conveyed his excitement, having previously immersed himself in the vibrant energy of Australian shows while supporting Eminem. Joell Ortiz, embarking on his first trip Down Under, expressed eagerness to explore everything Australia had to offer, from meeting locals to immersing himself in the country’s unique wildlife.

The Internet’s Role in Global Touring

Discussing the surge of top-tier rap acts gracing Australian stages, the group credited the Internet for fostering direct connections with fans worldwide. Royce da 5’ 9” acknowledged the transformative power of real-time communication, enabling artists like Slaughterhouse to gauge demand and plan tours accordingly. This perspective underscored the evolving dynamics of the music industry, where artists can navigate the global landscape based on instantaneous feedback from their fanbase.

A Glimpse into the Tour Experience

With Schoolboy Q announced as their main support, the conversation naturally shifted to what fans could anticipate from the upcoming tour. While the artists assured it would be an unfiltered rap show, they underscored the interactive nature of their performances. Crooked I guaranteed that the focus would be on delivering an authentic rap experience, promising a night of musical immersion and connection for both the performers and the audience.

TDE Influence and the Fusion of Sneaker Culture

The dialogue briefly touched upon the influence of the TDE (Top Dawg Entertainment) crew, particularly Schoolboy Q, set to join them on the tour. Crooked I expressed admiration for what the Black Hippy Crew was achieving, acknowledging the positive impact of artists from California making a significant mark in the industry.

As the discussion meandered through various topics, the Sneaker Freaker team couldn’t help but delve into the artists‘ fascination with eye-catching kicks. Joell Ortiz admitted to having an extensive sneaker collection, while Crooked I emphasized the deep-rooted connection between hip-hop and sneaker culture, tracing it back to iconic moments like Run DMC sporting adidas Superstar shell toes.

The Sneaker Lifestyle and Its Role in Hip-Hop

Expanding on their love for sneakers, the conversation veered into how the artists perceive themselves in the realm of sneaker culture. Royce da 5’ 9” shared his perspective on being influenced by the rich history of sneakers in hip-hop, acknowledging the impact of artists like Run DMC and their endorsement of iconic shoe styles. Joe Budden chimed in, confessing to having an extensive sneaker collection, labeling himself as more of a „sneaker enthusiast“ than a collector.

Crooked I added a humorous touch, revealing that as a hip-hop artist, sneakers are an essential part of their identity, noting that even when he doesn’t know the names of every pair, he has a plethora of sneakers in his collection. The artists collectively emphasized that sneakers are not just footwear; they are a form of self-expression deeply intertwined with the culture of hip-hop.

A Deeper Dive into Slaughterhouse’s Influence

Taking a deeper dive into Slaughterhouse’s influence on the rap scene, the artists shared insights into their creative process and the collaborative nature of the group. Royce da 5’ 9” highlighted the importance of authenticity in their music, stating that each member brings a unique perspective to the table. Joe Budden spoke about the evolution of Slaughterhouse’s sound, emphasizing their commitment to pushing boundaries and challenging the status quo in hip-hop.

Joell Ortiz delved into the significance of storytelling in their lyrics, expressing the belief that their authenticity resonates with fans globally. Crooked I touched upon the power of unity within the group, stating that the synergy between the members contributes to the overall impact of their music.

Wrapping It Up with Style

In this extensive exploration of music, sneakers, and cultural observations, the interview with Slaughterhouse provided a profound and candid glimpse into the personalities behind the rap supergroup. As the Australian tour looms on the horizon, fans can expect not only a captivating rap show but also an authentic connection with the artists, who are poised to share their passion for music, sneakers, and the global community that unites them all.

For those eagerly anticipating the live experience with Slaughterhouse and Schoolboy Q, mark your calendars for the following tour dates:

– Saturday, 23rd February – Sydney, Enmore Theatre (Tickets available from Ticketek)
– Wednesday, 27th February – Brisbane, The Arena (Secure your tickets at Oztix)
– Friday, 1st March – Melbourne, Palace Theatre (Tickets accessible through Ticketmaster)
– Saturday, 2nd March – Perth, Metro City (Secure your tickets via Oztix)

As the beats drop and the rhymes flow, Slaughterhouse is ready to make their indelible mark on Australian soil, delivering not just music but a unique blend of culture and camaraderie that transcends borders and resonates with fans across the globe. This tour promises to be more than just a musical event; it’s a celebration of unity and a testament to the universal language that is hip-hop.